BIOGRAPHY

 

Saroja van der Stegen

 

 

1956 Born in Venlo (The Netherlands).

1968 Her work WAS selected by the Dutch television for an educative programme about art.

1977 Studied at the art academy in Maastricht, The Netherlands.

1979 Travelling through Europe.

1980-92 Travelled extendedly, living and working in The Netherlands, France, India, U.S.A. especially as a colourist and abstract landscape painter.

1988 Studied in India in the University of Art and Creativity.

  1. Moving to Pollensa, Majorca, Spain.

  2. 2002 Travelling through Australia.

     

    EXHIBITIONS (selection)

    1989 Devamani Art Gallery. Poona, India.

    1990 Gallery "De Telloor". Alkmaar, Holland.

    "Sindicato de initiativa". Ceret, France.

    1991 Gallery "Remp Art". Elne, France.

  3. XVI "Mostra d'Art Plàstiques". Museum of Contemporary Art.

Sa Pobla, Majorca, Spain.

1994 Gallery Actual Art. Pollensa, Majorca, Spain.

  1. Gallery Max. Deià, Majorca, Spain.

"Rendez Vous d'Art". S'Estacio, Sineu, Majorca, Spain.

1997 Gallery La Residencia, Deià, Majorca, Spain.

1998 Gallery Dionís Bennassar, Madrid, Spain.

Galleries Cunium. Inca, Majorca, Spain.

Gallery Barbara Botz. Puerto Andraitx, Majorca, Spain.

  1. Gallery Vogel. Muenster, Germany.

  2. Gallery Hexagon. Aachen, Germany.

    Gallery "Im Alten Kloster". Cologne, Germany.

  3. "Kulturzentrum Altes Rathaus". Wuerselen, Germany.

  4. The Lewis Gallery. Carmel, California, USA.
    Galleries Cunium. Inca, Majorca, Spain.

2003 Prym. Stolberg, Germany.
Gallery Zanik. Compete, Malaga, Spain.
"Barebones Art Space". Bangalow, NSW, Australia.

 

COLLECTORS AND MUSEA:

* Represented in different collections of art in: The Netherlands, France, Germany, USA, Australia, Korea, India, Spain and U.K.

* Museum of Contemporary Art of Sa Pobla, Majorca, Spain.

 

CONTACT ADDRESS:

Saroja van der Stegen

Apto 103, E-07460 Pollensa, Baleares, Spain.

T/F: +34 971 530141 - M: +34 650426388

W: www.sarojasart.com - E: saroja@sarojasart.com

 

Translation of "UN VOL PER L´ESTUDI DE SAROJA". Engelbert.

P.I.P. 1-15 june ´98.

A VISIT TO SAROJA'S STUDIO

 

A few days ago, I received a catalogue from the Dutch artist who resides in Pollensa, SAROJA VAN DER STEGEN. This catalogue WAS for her new show at the Bennasar Gallery in Madrid, and had a very good presentation of the author and her work, written by our friend Miguel Bota Totxo. I called her to wish her luck and every success.

 

I met SAROJA a few years ago, when she had just arrived in Pollensa. She had a studio at "Ca'n Diable" and her painting WAS completely abstract, colourful and personal. That WAS in 1992, and since then she has changed studios many times. The greatest change that has taken place however, I believe is in the maturity and the expressiveness of her work.

 

She invited me to see her workshop, an invitation I gladly accepted. I WAS keen to see her latest production, as I presumed it had evolved significantly, by the look of the pictures in the catalogue. I WAS indeed pleasantly surprised to discover that her paintings had been clearly influenced by the light and the landscapes of Mallorca.

 

On entering, there is already a mysterious feeling about her artistic personality. There were pictures from different phases of her artistic career, stacked in orderly rows, in all the corners of her home- come studio. I looked at some of the old ones which I recognised from past shows. We made comments about the paintings that decorate the bedrooms on the first floor and made our way to the second floor where she has an ample and sunny studio and terrace. On her easel and scattered on the floor, were several canvases in the process of elaboration.

 

"As you can see, my paintings become more and more integrated to the world in which I live. The light, the colours, the landscape and the Mediterranean are deeply influencing my work. Although it continues to follow a certain abstract line, my work is taking on more figurative connotations. My aim is to capture the beauty that surrounds me" she said.

 

After contemplating her work and exchanging ideas for a long while, we moved onto the courtyard which has been converted into a garden come- exhibition of recycled sculptures made by her partner DEVA, who is also Dutch. "We met in India " said SAROJA. The three of us chatted about the beginning of her artistic career while enjoying a soft drink and the warm May sunset. I learned that her interest in art had developed very young, while still in primary school. Having taken part in a children's drawing competition on television, and seeing her colourful drawings on the screen made a deep impression on her. Thanks to the prize she received, she WAS encouraged to study different artistic channels such as painting, music and drama, always in specialised schools. After finishing her studies, "I wanted to become independent of my family and therefore travelled to France, America and India. The latter is where I had my first solo exhibition, met Deva and where my son WAS born. I have now been living in Pollensa for six years, painting and playing music" she explained.

 

After discussing her artistic path, we talked about her many shows in India, France, Spain and Holland. Then she commented on her most immediate plans, which are, apart from continuing her work, two shows in Mallorca, in Deia and Inca. She is also thinking of another exhibition in Germany, where she has some good contacts.

 

There were comments made about art in Mallorca, and specifically in Pollensa. As always, we talked of the present crisis in the world of art. "Here, there are many artists that I like. I have been to a lot of exhibitions recently and have noticed some great painters, especially those who follow an abstract line and work with colour. On the other hand, I also like the artistic quality of the impressionists from the "Escuela Pollensina". I don't actually believe there is a crisis. At least my artist friends and myself sell our work very well", she tells me.

 

Without noticing it, the hours have flown by. We finish off our drinks and say goodbye, and leave with the sensation of having spent an agreeable and interesting afternoon of discussion and friendship. Thank you SAROJA, and I wish you many years of working for the good of art.

 

 

SAROJA,

A GLANCE AT THE MEDITERRANEAN

Translation of "Saroja, una mirada al Mediterráneo" in "El Punto de las Artes". Madrid, 8 - 14 May 1998.

 

It is not unusual for an artist to form a truly special relationship with a certain place. Claude Monet thus formed a bond with Giverny, where he gave expression to his most abstract impressions. It WAS a refuge that allowed him to experiment profusely with the most frenzied atmospheric and environmental sensations until he died. In this way, he tried to capture on canvas what would only be the beginning of his most intuitive painting. And this is how the artist finds pleasure in his hideaway, isolating himself from the rest of the world to dedicate himself, exclusively, to that which captivates him. Gustave Geffroy once said about his friend Monet's relationship with his house in Giverny " when a man has the gift of seeing, understanding and reproducing in magical resumes the passing of light upon the world, he can live alone because he is not alone: he is surrounded by all the fairies that live in the springs, the rivers, the fields and the woods, the fairies of all seasons and those that populate the sea".

In the same way as Monet WAS drawn to the Seine to devote himself completely to the passion of painting, Saroja Van Der Stegen WAS drawn to the Mediterranean to discover the mystery of its light. Saroja is drawn, fundamentally, to a Mediterranean that is luminous, ablaze, with bright gleaming coasts, to try to capture the clarity of the Balearic coasts, light's transparency in Mallorca, and more specifically, the translucence of Pollensa’s atmosphere. And this is why, in her eternal search for colour and luminescence, this Dutch artist creates a picture of sensations, luminous and colourful, inasmuch as the reality thereby expressed is seen broken up in evanescent portions of light and colour, a painting that is full of nuances, of pictorial subtleties, on which, in a uniform way, an off-white milky veil is spread, filtered and diffused, to soften the possible imperfections. All this clearly reminds the spectator of the sparkling magic of Mediterranean light, and above all, teaches him that every artist has his own particular Giverny.

 

 

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