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Saroja van
der Stegen
1956 Born
in Venlo (The Netherlands).
1968 Her
work WAS selected by the Dutch television for an educative programme about
art.
1977 Studied
at the art academy in Maastricht, The Netherlands.
1979 Travelling
through Europe.
1980-92 Travelled
extendedly, living and working in The Netherlands, France, India, U.S.A.
especially as a colourist and abstract landscape painter.
1988 Studied
in India in the University of Art and Creativity.
-
Moving to
Pollensa, Majorca, Spain.
2002 Travelling
through Australia.
EXHIBITIONS
(selection)
1989 Devamani
Art Gallery. Poona, India.
1990 Gallery
"De Telloor". Alkmaar, Holland.
"Sindicato
de initiativa". Ceret, France.
1991 Gallery
"Remp Art". Elne, France.
-
XVI "Mostra
d'Art Plàstiques". Museum of Contemporary Art.
Sa Pobla, Majorca,
Spain.
1994 Gallery
Actual Art. Pollensa, Majorca, Spain.
-
Gallery Max.
Deià, Majorca, Spain.
"Rendez
Vous d'Art". S'Estacio, Sineu, Majorca, Spain.
1997 Gallery
La Residencia, Deià, Majorca, Spain.
1998 Gallery
Dionís Bennassar, Madrid, Spain.
Galleries Cunium.
Inca, Majorca, Spain.
Gallery Barbara
Botz. Puerto Andraitx, Majorca, Spain.
-
Gallery Vogel.
Muenster, Germany.
Gallery Hexagon.
Aachen, Germany.
Gallery "Im
Alten Kloster". Cologne, Germany.
-
"Kulturzentrum
Altes Rathaus". Wuerselen, Germany.
-
The Lewis
Gallery. Carmel, California, USA.
Galleries Cunium. Inca, Majorca, Spain.
2003 Prym.
Stolberg, Germany.
Gallery Zanik. Compete, Malaga, Spain.
"Barebones Art Space". Bangalow, NSW, Australia.
COLLECTORS
AND MUSEA:
* Represented
in different collections of art in: The Netherlands, France, Germany,
USA, Australia, Korea, India, Spain and U.K.
* Museum
of Contemporary Art of Sa Pobla, Majorca, Spain.
CONTACT
ADDRESS:
Saroja van
der Stegen
Apto 103, E-07460
Pollensa, Baleares, Spain.
T/F: +34 971
530141 - M: +34 650426388
W: www.sarojasart.com
- E: saroja@sarojasart.com
| Translation
of "UN VOL PER L´ESTUDI DE SAROJA". Engelbert.
P.I.P.
1-15 june ´98.
A VISIT
TO SAROJA'S STUDIO
A few
days ago, I received a catalogue from the Dutch artist who resides
in Pollensa, SAROJA VAN DER STEGEN. This catalogue WAS for her new
show at the Bennasar Gallery in Madrid, and had a very good presentation
of the author and her work, written by our friend Miguel Bota Totxo.
I called her to wish her luck and every success.
I met
SAROJA a few years ago, when she had just arrived in Pollensa. She
had a studio at "Ca'n Diable" and her painting WAS completely
abstract, colourful and personal. That WAS in 1992, and since then
she has changed studios many times. The greatest change that has taken
place however, I believe is in the maturity and the expressiveness
of her work.
She invited
me to see her workshop, an invitation I gladly accepted. I WAS keen
to see her latest production, as I presumed it had evolved significantly,
by the look of the pictures in the catalogue. I WAS indeed pleasantly
surprised to discover that her paintings had been clearly influenced
by the light and the landscapes of Mallorca.
On entering,
there is already a mysterious feeling about her artistic personality.
There were pictures from different phases of her artistic career, stacked
in orderly rows, in all the corners of her home- come studio. I looked
at some of the old ones which I recognised from past shows. We made
comments about the paintings that decorate the bedrooms on the first
floor and made our way to the second floor where she has an ample and
sunny studio and terrace. On her easel and scattered on the floor,
were several canvases in the process of elaboration.
"As
you can see, my paintings become more and more integrated to the world
in which I live. The light, the colours, the landscape and the Mediterranean
are deeply influencing my work. Although it continues to follow a certain
abstract line, my work is taking on more figurative connotations. My
aim is to capture the beauty that surrounds me" she said.
After
contemplating her work and exchanging ideas for a long while, we moved
onto the courtyard which has been converted into a garden come- exhibition
of recycled sculptures made by her partner DEVA, who is also Dutch.
"We met in India " said SAROJA. The three of us chatted about
the beginning of her artistic career while enjoying a soft drink and
the warm May sunset. I learned that her interest in art had developed
very young, while still in primary school. Having taken part in a children's
drawing competition on television, and seeing her colourful drawings
on the screen made a deep impression on her. Thanks to the prize she
received, she WAS encouraged to study different artistic channels such
as painting, music and drama, always in specialised schools. After
finishing her studies, "I wanted to become independent of my family
and therefore travelled to France, America and India. The latter is
where I had my first solo exhibition, met Deva and where my son WAS
born. I have now been living in Pollensa for six years, painting and
playing music" she explained.
After
discussing her artistic path, we talked about her many shows in India,
France, Spain and Holland. Then she commented on her most immediate
plans, which are, apart from continuing her work, two shows in Mallorca,
in Deia and Inca. She is also thinking of another exhibition in Germany,
where she has some good contacts.
There
were comments made about art in Mallorca, and specifically in Pollensa.
As always, we talked of the present crisis in the world of art. "Here,
there are many artists that I like. I have been to a lot of exhibitions
recently and have noticed some great painters, especially those who
follow an abstract line and work with colour. On the other hand, I
also like the artistic quality of the impressionists from the "Escuela
Pollensina". I don't actually believe there is a crisis. At least
my artist friends and myself sell our work very well", she tells
me.
Without
noticing it, the hours have flown by. We finish off our drinks and
say goodbye, and leave with the sensation of having spent an agreeable
and interesting afternoon of discussion and friendship. Thank you SAROJA,
and I wish you many years of working for the good of art.
|
SAROJA,
A GLANCE AT THE MEDITERRANEAN
Translation of "Saroja,
una mirada al Mediterráneo" in "El Punto de las Artes". Madrid,
8 - 14 May 1998.
It is not unusual
for an artist to form a truly special relationship with a certain place.
Claude Monet thus formed a bond with Giverny, where he gave expression to
his most abstract impressions. It WAS a refuge that allowed him to experiment
profusely with the most frenzied atmospheric and environmental sensations
until he died. In this way, he tried to capture on canvas what would only
be the beginning of his most intuitive painting. And this is how the artist
finds pleasure in his hideaway, isolating himself from the rest of the world
to dedicate himself, exclusively, to that which captivates him. Gustave
Geffroy once said about his friend Monet's relationship with his house in
Giverny " when a man has the gift of seeing, understanding and reproducing
in magical resumes the passing of light upon the world, he can live alone
because he is not alone: he is surrounded by all the fairies that live in
the springs, the rivers, the fields and the woods, the fairies of all seasons
and those that populate the sea".
In the same
way as Monet WAS drawn to the Seine to devote himself completely to the
passion of painting, Saroja Van Der Stegen WAS drawn to the Mediterranean
to discover the mystery of its light. Saroja is drawn, fundamentally, to
a Mediterranean that is luminous, ablaze, with bright gleaming coasts, to
try to capture the clarity of the Balearic coasts, light's transparency
in Mallorca, and more specifically, the translucence of Pollensa’s atmosphere.
And this is why, in her eternal search for colour and luminescence, this
Dutch artist creates a picture of sensations, luminous and colourful, inasmuch
as the reality thereby expressed is seen broken up in evanescent portions
of light and colour, a painting that is full of nuances, of pictorial subtleties,
on which, in a uniform way, an off-white milky veil is spread, filtered
and diffused, to soften the possible imperfections. All this clearly reminds
the spectator of the sparkling magic of Mediterranean light, and above all,
teaches him that every artist has his own particular Giverny.
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