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Introducing Curtis Palmer |
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Maiden © Curtis Palmer Portraits |
Indian Princess © Curtis Palmer Portraits |
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Karen © Curtis Palmer Portraits |
Donna © Curtis Palmer Portraits |
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Biography
Curtis Palmer
I could say my first
camera was a Kodak Brownie and that I bought just about every model
camera kodak ever made in 620 format then 126 format 620 was about the
same as 120 film which is still in use. the films were
interchangable in some cameras though 620 had to be put on a 120 spool
or vice versa 126 was the sme size as 35mm again the spools were
different.
In Germany I graduated to
35mm when I bought an Afga Ambiflex single lens reflex. This was
a close kin to the famous and superb Exacta professional cameras which
are still in production. In 1960 the same year I bought the
Camera I won my first photo contest and became the infant terrible.
I bested a couple of friends with big egos and deep pockets they
both, Peter Chacon and Alexander Robinson,used Leicas M-3 cameras.
This then and now is the Rolls Royce of German Cameras.
We all three were protoges
of Dick Kerrakas. So we all won prizes not surprisingly. But
I was the dark horse. I wanted the flexibility the reflex camera
offered. What you saw was what you got. It was noisy but
more precise for composing. Reflex cameras before automation
posed one difficulty and that was focusing in dim light. Split
prism focusing saved the day.
I was fortunate to have
the opportunity or rather the fate to appear in the good company of
people like President and General Charles DeGaulle. Taking his
photograph and the likes of Olivia de Havilland and Brigitte Bardot
and Yvette Mimeuix pushed my work past unpassable doors. I dated
one of President DeGaulles Staff Generals' Daughter this smoothed my
passage of 2 years time in Paris and got me introduced. I
visited all of the famous coutre houses and was recognized by Yves St
Laurent and Pierre Cardin. The Generals' daughter was also a
fashion model and I had contributed to her portfolio.
It was simple to get
published my mentor and friend Dick Kerrakas had settled in at
Blackstar Photo Agency and all models movie stars and such were
anxious to get as much exposure as possible. I had as much work
as I could handle. I had access to studios on the Champs Elysee
Rue Marbeuf and across Paris.
Exhausted at one point I
began to teach in the same photolab where I had learned the basics
after Dick took his job in Paris. After seven years of teaching
and winning contests I took a staff position at the Denver Post
Newspaper. But I was back in Europe after 4 years in America
trying to rekindle the passion for an unbelivable string of credits.
This time around I stacked the cards in my favor more through
professional affiliations than through friendships. These affiliations
included The Royal Photographic Society of Great Britain, The National
Press Photographers Association, Associated Press, Reuters News
Agency, United Press International and a bundle of others.
For a working
Photojournalist there is hardly time to work outside the framework of
journalism because of so many deadlines. So my photo credits
which must number to a million by now must of necessity take the place
of Juried shows and gallery showings.
My winning works in 1972
NPPA contest are a part of the permanent Denver Post Collection.
I have photographed the Miss America competition 1970, I was for
three years the official photographer for the Miss Black America
Contest 1971-74 see Ebony Magazine center fold 1972.
I have photographed the
World Games twice 1974-75 Helsinki Sanomat and Urheilu Talo.
I also photographed The
world fencing Championships 1988 Denver Weekly News. I have done
Formulae one auto racing,The Denver Grand Prix where I met Dr. Giorgio
Ferrari heir apparant to his famous father Ensio Ferrari 1988 AP.
I Covered SALT 1 from Helsinki 1975 Seura Magazine. where
some 35 presidents convened to discuss arms limitations. I am
still having a great time.
But Kodak is unable to
equip me these days. You could say I am stronger than ever.
I have worn out a lot of shoe leather and most cameras
that I have owned over the last 30 years. It all came together
around the age of eighteen and I still feel eighteen. So when
folks ask my age I quip eighteen but my Presse ID these days
reads Master Photojournalist. C.R. Palmer.
List of mentors and
consultants:
These being Michael
Baliff Howard Publisher Rocky Mountain News Daily Newspaper, also
President Scripps/ Howard Newspaper Syndicate. Lowell Thomas,
ABC TV News Anchor, Gordon Parks, Photojournalist Life
Magazine, John H. Johnson Publisher Ebony Magazine, Dick
Kerrakas Black Star Paris & NYC News Syndicate, Francisco
Scavullo Fashion Photographer, Steve Larson, Photo Editor
Denver Post, Hekki Parkkonen Editor Seura Magazine.
My inspiration has came
from publication at many of the worlds top rated newspapers and
magazines (more than a hundred), including Soviet Life. Over the
years I spent a large amount of my time getting published
rather than entering juried shows, however, I have accepted juried
show invitations twice already this year after an absence of some 30
years from that world stage.
Juried shows Being
JamesBaird.com 5 july 02 deadline and secondly AbsoluteArts.com
deadline 2 April 02. I have two shows in progress and a total
of 7 or 8 shows pending for the year.
Further studies undertaken with....BFA 1980, University of Colorado Denver USA, The New York School of Modern Photography 1972, and The Time Life Photography School 1973. Studied Journalism at The Community College of Denver from a staff member Steve Gascoyne at United Press International 1972. Also studied at The University of Helsinki 1974.
My club affiliations
and the people or places my name has been associated with:
The Finnish Press Club
and Foreign Ministry and The Colorado Press Association and the
Public Relations Department of The United Nations Associations-USA.
Time Magazine, Burda Publication of Switzerland, The
Royal Photographic Society of G.B., Dagens Bladet Copenhagen,
and Expressions Stockholm, New York Herald-Tribune
Paris. Frankfurter Rundshau , Frankfurter Allgemeine Zeitung
Germany. The International Library of Photography (picture.com),
and The International Freelance Photographers Organization (American
Image News).
These are pivotal newspapers that I have contributed to but by no means all inclusive. There is no room to show more than a hundred newspapers and magazines.
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21.9.04